The day spoils (exercising translation)
The day spoils we say meaning
the rain will soon come.
As if it, too, were not as essential as air. Continue reading The day spoils (exercising translation)
Category: environmental reflections
Questions for my students that I also ask myself
Why are you here and what do you need to live well in the world? What are your responsibilities? Who are your ancestors and where are they now? What do they have to do with where you are? What will you do to be a good ancestor? Continue reading Questions for my students that I also ask myself
Nightdark loonsong heartswail
I let out the dog and stand in the air, inhaling lungfuls of land and sea smell. A damp breeze circles my ankles. Suddenly nearby a loon cry and then another and another. On this shore we say that means a change in the weather. Usually rain. But I also hear: company in the darkness so eloquent that at once it pierces and names your loneliness. Loonsong the stitch that knits life and death and every isolated sorrow, the sound for which I’ve forever waited at the water’s edge, neither coming nor going nor yet surely staying. Continue reading Nightdark loonsong heartswail
Into the thrill
We walk in the rain at dusk along /a broken black road frogs chanting/in the ditches…
This poem is one of a series of shortened sonnets, in which I test what happens if I compress the sonnet into 13 rather than 14 lines. It feels as if, sometimes, hurry is what happens–the poem dashes off, like a dog into the night. Continue reading Into the thrill
When we [will] have [been] remembered
Most days, water holds the light. Why then have even the puddles turned bleak? Continue reading When we [will] have [been] remembered
Sound Collaboration–To listen for the shapes of words
Recently someone–a student who is also a colleague– sent me a list of words that begins with the word collaboration and ends with the word crisis. The list is a request for a collaboration as well as a compilation of many of the varieties of chaos, computational and not, introduced into our lives by COVID-19–or more precisely, by our confounding, cranky, critical and community responses to COVID-19. Continue reading Sound Collaboration–To listen for the shapes of words
Songs of an anxious mind
No doubt about it, I’m having trouble doing my work. Trouble getting things done. Trouble sleeping. Trouble waking. How my eyes ache. And my joints. My heart feels funny. It is as if neither my eyes nor my brain can focus–as if the frame glitches and slips just a little, the visible world doubling at the edges. Continue reading Songs of an anxious mind
On feelings of profound loss
I often feel these days as if I am losing my mind. It has something to do with the gravity of the news. And a sense of physical exhaustion so profound that one afternoon, while out for a walk, I stop, curl into a ball in a warm spot on a neighbour’s porch and sleep in the sun for half an hour. Continue reading On feelings of profound loss
Not sailing to Byzantium: on poetry in a time of crisis
No one sleeps the night through anymore. The wings of endings beat near our faces, drop bones into our dreams….But let us understand that we too will die, each of us; and that in our time of living it matters to reach out and to speak up against the increasing number of state gestures that threaten to become excessive force, surveillance and foreclosures of civil liberties. It matters to ask questions, and to try to conduct serious civil debate about the best routes to sound judgment and care. It matters to take time to listen to what the non-human parts of the planet are saying, as dolphins roll through Venice, and the air clears over Delhi and other industrial centres. It matters to reimagine our entitlements and travel plans, our airplanes and global expansions. What does a sustainable economy look like? Whom should it serve? What would it take to build it, and to engage both human and non-human actors? Why shouldn’t artists and poets study such things? Continue reading Not sailing to Byzantium: on poetry in a time of crisis
A valediction forbidding mourning (a more or less true history of the present)
Over the course of the last week everything has changed radically. In the northern hemisphere winter has officially become spring. We’ve shifted from an eerie quiet, as if collectively in Canada we were kneeling, our ears pressed to the tracks of time listening for the train of the future to come barrelling upon us, to something still more unearthly. Early closures, slow stunned walks in the sun and recommendations about how we ought to behave have become, over the course of several days, a state of emergency and civilian lockdown. Continue reading A valediction forbidding mourning (a more or less true history of the present)
Visible Poetry 